{"id":1930,"date":"2022-10-13T21:43:14","date_gmt":"2022-10-13T19:43:14","guid":{"rendered":"http:\/\/nowak-papantoniou.net\/?p=1930"},"modified":"2023-04-12T18:21:47","modified_gmt":"2023-04-12T16:21:47","slug":"samedi-15-octobre-2022-polyphonix-a-marseille","status":"publish","type":"post","link":"https:\/\/nowak-papantoniou.net\/?p=1930","title":{"rendered":"Samedi 15 octobre 2022, Polyphonix \u00e0 Marseille"},"content":{"rendered":"\n

Charme de l’impr\u00e9visible<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

\u0152uvre : Andr\u00e9 Breton, Marcel Duhamel, Max Morise, Yves Tanguy. Cadavres exquis, vers 1928. Galerie Natalie Seroussi, Paris \u00a9 Adagp, Paris 2022 ; photo : Collection Seroussi<\/p>\n\n\n\n

Polyphonix : Le cadavre exquis est toujours vivant ! <\/h2>\n\n\n\n

Spectacles\/\u00e9v\u00e9nements<\/p>\n\n\n\n

\u00ab\u2009Le Festival Polyphonix a \u00e9t\u00e9 imagin\u00e9 par Jean-Jacques Lebel en 1979. Le Cadavre exquis est toujours vivant<\/em>, s\u2019il fait \u00e9cho au surr\u00e9alisme dans son titre aussi bien que dans sa forme, entend, \u00e0 l\u2019occasion de cette exposition, rendre un hommage pr\u00e9cis\u00e9ment vivant \u00e0 l\u2019esprit collectif, autogestionnaire, qui animait l\u2019association d\u2019artistes et de po\u00e8tes organisatrice de ce festival international de po\u00e9sie, performance, vid\u00e9o, et musiques. Celle-ci comptait dans ses rangs, en dehors de Jean-Jacques Lebel, son premier pr\u00e9sident, suivi de Bernard Heidsieck, Jacqueline Cahen et moi-m\u00eame, Julien Blaine, Jo\u00eblle L\u00e9andre et Tibor Papp.
Plus de mille huit cent intervenants originaires d\u2019une trentaine de pays ont \u00e9t\u00e9 coll\u00e9gialement programm\u00e9s dans des lieux aussi vari\u00e9s que des grands mus\u00e9es, des universit\u00e9s, des instituts culturels, des th\u00e9\u00e2tres, des salles de concert, des stations de m\u00e9tro, des espaces alternatifs, dans plus de quarante villes \u00e0 travers le monde. Jo\u00ebl Hubaut a \u00e9t\u00e9, \u00e0 de nombreuses reprises, l\u2019un de ces invit\u00e9s, mais aussi l\u2019initiateur d\u2019une \u00e9dition de Polyphonix \u00e0 Caen, fid\u00e8le \u00e0 sa philosophie de laboratoire d\u2019une cr\u00e9ation libre. Ce que s\u2019engage \u00e0 \u00eatre Le Cadavre exquis est toujours vivant<\/em>\u2009!\u2009\u00bb.<\/p>\n\n\n\n

Arnaud Labelle-Rojoux<\/p>\n\n\n\n

<\/p>\n\n\n\n

Avec<\/p>\n\n\n\n

Julien Blaine, Christine Bouvier, Alexandre G\u00e9rard, Jo\u00ebl Hubaut, Hayoung Kim, Arnaud Labelle-Rojoux, Rochdy Laribi, Marina Mars,Youna Marsauche, St\u00e9phane Nowak,<\/strong><\/p>\n\n\n\n

Nathalie Quintane, Liam Witter<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00ab\u2009Le cadavre exquis boira le vin nouveau. C\u2019est le \u00ab cadavre exquis \u00bb initial, pass\u00e9 \u00e0 la post\u00e9rit\u00e9, celui du jeu invent\u00e9 en 1925 par les surr\u00e9alistes de la rue du Ch\u00e2teau, Marcel Duhamel, Jacques Pr\u00e9vert et Yves Tanguy, consistant \u00e0 composer une phrase \u00e0 plusieurs sans que chacun connaisse le mot qui le pr\u00e9c\u00e8de. Devenue, pour Andr\u00e9 Breton, technique \u00e0 part enti\u00e8re d\u2019une \u00ab\u2009mise en commun\u2009\u00bb des pens\u00e9es dans le Second Manifeste du surr\u00e9alisme en 1930, celle-ci a \u00e9t\u00e9 transpos\u00e9e au dessin en utilisant, comme pour le texte, le syst\u00e8me de pliage ou de cache, puis au roman, puis \u00e0 la musique, puis au cin\u00e9ma. Bref, la technique est \u00e9prouv\u00e9e qui a cette vertu de proposer une \u0153uvre fond\u00e9e sur la surprise et la non-hi\u00e9rarchie des intervenants.
Nous souhaitons, \u00e0 Marseille, r\u00e9aliser une pi\u00e8ce de ce type sans statut r\u00e9el, mais sur le mode de l\u2019action, o\u00f9 chacun, prenant le relais de l\u2019autre par un \u00e9l\u00e9ment commun dans un temps chaque fois identique (3 minutes maximum) contribue \u00e0 une \u0153uvre collective mettant, comme le disait Andr\u00e9 Breton \u00ab\u2009l\u2019esprit critique en vacance\u2009\u00bb, revendication en somme d\u2019un n\u2019importe quoi partag\u00e9, m\u00e9lange d\u2019expressions, avalanche de hiatus. L\u2019id\u00e9e est de convier une quinzaine de personnes, qui demeureront dans l\u2019espace de l\u2019action pendant toute sa dur\u00e9e provoquant ainsi le d\u00e9calage d\u2019une sorte de gang bang art-action al\u00e9atoire prolif\u00e9rant dans un \u00e9changisme fortuit r\u00e9jouissant et expans\u00e9 comme une tournante po\u00e9tique improbable en t\u00eates \u00e0 queues interactives augment\u00e9es d\u2019une mixette d\u2019impr\u00e9visibilit\u00e9 absolue. Hiouppie\u2009!\u2009\u00bb<\/p>\n\n\n\n

Jo\u00ebl Hubaut & Arnaud Labelle-Rojoux<\/p>\n","protected":false},"excerpt":{"rendered":"

Charme de l’impr\u00e9visible \u0152uvre : Andr\u00e9 Breton, Marcel Duhamel, Max Morise, Yves Tanguy. Cadavres exquis, vers 1928. Galerie Natalie Seroussi, Paris \u00a9 Adagp, Paris 2022 ; photo : Collection Seroussi Polyphonix : Le cadavre exquis est toujours vivant !  Spectacles\/\u00e9v\u00e9nements … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1930","post","type-post","status-publish","format-standard","hentry","category-interventions"],"yoast_head":"\nSamedi 15 octobre 2022, Polyphonix \u00e0 Marseille - Laboratoire de St\u00e9phane Nowak Papantoniou<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nowak-papantoniou.net\/?p=1930\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Samedi 15 octobre 2022, Polyphonix \u00e0 Marseille - Laboratoire de St\u00e9phane Nowak Papantoniou\" \/>\n<meta property=\"og:description\" content=\"Charme de l’impr\u00e9visible \u0152uvre : Andr\u00e9 Breton, Marcel Duhamel, Max Morise, Yves Tanguy. 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