Une histoire de capture et d’affranchissement, de labyrinthe et d’issue de secours, de squelette et de lib\u00e9ration.<\/p>\n<\/div>\n
\n
Me vint un vouloir de briser<\/em><\/p>\n<\/div>\n\n
La tr\u00e8s amoureuse prison<\/em><\/p>\n<\/div>\n\n
Qui souloit mon c\u0153ur d\u00e9briser<\/em><\/p>\n<\/div>\n\n
(Le lai)<\/em><\/p>\n<\/div>\n\n
<\/p>\n<\/div>\n
\n
Et puis <\/span>Le Testament. <\/em>On comprend qu’il soit devenu objet de r\u00e9\u00e9criture actuellement, avec ses formes r\u00e9p\u00e9titives (Combien…, Item…, Tant Que…, Je connois…) Puissance des images de mort, de chutes, de cr\u00e2nes…<\/span><\/p>\n<\/div>\n\n
Et ce quatrain pour finir\u00a0: <\/span><\/p>\n<\/div>\n\n
<\/p>\n<\/div>\n
\n
Je suis Fran\u00e7ois, dont il me poise,<\/em><\/p>\n<\/div>\n\n
N\u00e9 de Paris empr\u00e8s Pontoise<\/em><\/p>\n<\/div>\n\n
et de la corde d’une toise<\/em><\/p>\n<\/div>\n\n
Saura mon col que mon cul poise.<\/em><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":" Une histoire de capture et d’affranchissement, de labyrinthe et d’issue de secours, de squelette et de lib\u00e9ration. 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