\n
Une tr\u00e8s belle exposition qui malheureusement patrimonialise<\/em> l’histoire de la danse \u00e0 travers de grandes figures \u2013 Lo\u00efe Fuller, Jos\u00e9phine Baker, Martha Graham, Cunningham…laisse de c\u00f4t\u00e9 le but\u00f4h, ce qui le rafraichit.<\/p>\n<\/div>\n\n
La partie \u00ab\u00a0performance\u00a0\u00bb est limit\u00e9e\u00a0: Yves Klein, Yan Fabre, Pollock…<\/p>\n<\/div>\n
\n
Un livre du m\u00eame nom recoupe les Ecrits sur la danse regroupe diff\u00e9rentes approches, celles de Mallarm\u00e9, \u00ab\u00a0po\u00e8me d\u00e9gag\u00e9 de tout appareil de scribe\u00a0\u00bb, l’esprit oiseau selon Nietzsche<\/p>\n<\/div>\n
\n
Et que l’on estime perdue toute journ\u00e9e<\/p>\n<\/div>\n
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o\u00f9 l’on n’aura pas au moins une fois dans\u00e9<\/p>\n<\/div>\n
\n
(Nietzsche, Ainsi parlait Zarathoustra<\/em>)<\/p>\n<\/div>\n\n
M\u00e9taphore de la pens\u00e9e comment\u00e9e par Badiou<\/p>\n<\/div>\n
\n
la notion de m\u00e9tachorie<\/em> (au-del\u00e0 du choeur) de Valentine de Saint-Pont, la danse futuriste d\u00e9crite par Marinetti (de l’Aviateur, du Schrapnell, de la Mitrailleuse). les Cahiers de Nijinski, l’id\u00e9e de ballet m\u00e9canique retravaill\u00e9e chez Oskar Schlemmer, la Danse comme forme du Temps selon Val\u00e9ry, Laban et la nature fluide de l’espace , la notion d’\u00e9nergie chez Mary Wigman en plus de celles d’espace et de temps et surtout son affaire d’apprivoiser la sorci\u00e8re int\u00e9rieure crois\u00e9e un soir dans un miroir, la metakinesis<\/em> de John Martin (dimension psychique de la danse), le d\u00e9vouement constant et spontan\u00e9 au temps chez Merce Cunningham…<\/p>\n<\/div>\n\n
Les commentaires d’Agamben sur les rapports puissance\/ acte et de Badiou sur Mallarm\u00e9 et les principes de la danse (obligation de l’espace \/ anonymat du corps \/ omnipr\u00e9sence effac\u00e9e des sexes \/ soustraction \u00e0 soi-m\u00eame \/ nudit\u00e9 \/ regard absolu\u00a0; par opposition au th\u00e9\u00e2tre venant de la politique et du d\u00e9sir)<\/p>\n<\/div>\n
\n
A quand la traduction des textes d’Hidjikata\u00a0? Leur absence nous permet de r\u00eaver.<\/p>\n<\/div>\n
\n
<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
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La partie \u00ab\u00a0performance\u00a0\u00bb est limit\u00e9e\u00a0: Yves Klein, … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-77","post","type-post","status-publish","format-standard","hentry","category-lectures"],"yoast_head":"\nDanser sa vie - Laboratoire de St\u00e9phane Nowak Papantoniou<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nowak-papantoniou.net\/?p=77\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Danser sa vie - Laboratoire de St\u00e9phane Nowak Papantoniou\" \/>\n<meta property=\"og:description\" content=\" Une tr\u00e8s belle exposition qui malheureusement patrimonialise l’histoire de la danse \u00e0 travers de grandes figures \u2013 Lo\u00efe Fuller, Jos\u00e9phine Baker, Martha Graham, Cunningham…laisse de c\u00f4t\u00e9 le but\u00f4h, ce qui le rafraichit. 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